Linda annas

ferguson

 

charleston

2004-2005

Poetry

 

ABOUT

WORKS

Linda Annas Ferguson is the author of five collections of poetry including Dirt Sandwich (Press 53, 2009) and Bird Missing from One Shoulder (WordTech Editions, 2007). She was a featured poet for the Library of Congress Poetry at Noon series. A former Poetry Fellow for the South Carolina Arts Commission, she has also been a recipient of the Poetry Fellowship of the South Carolina Academy of Authors. Her work was nominated for two Pushcart Prizes and the Best of the Net Award. She was a finalist in the Next Generation Indie Book Award. Her work is archived in Furman University’s Special Collections.

The Rapture

 

Linda Annas Ferguson

My son wants to know if a wormhole

is how Elijah was taken into the sky,

as he watches snow whiten the lawn

like Heaven coming to us; why snow

 

doesn’t last forever and what

forever is anyway, wanting four sides

or an axis, something sensible

as science to his twelve-year-old mind.

 

His grandmother replies, says we will

be taken like Elijah in the rapture.

He equates it to alien abduction,

to the disappearance of Jack

 

up the beanstalk or Alice into the mirror,

remembering other worlds he has visited

in his imagination, picturing God

at the computer, His finger on delete.

 

He tells her his teacher says we are

seventy-two percent water, as he exhales

on the window pane, writes his name,

explains the existence of moisture

 

that forms, then evaporates, the snow

beginning to leave, little by little,

as breaths of steam ride a stream

of sunlight into opening clouds.

 

Midsummer’s Eve: The Bonfire

 

Linda Annas Ferguson

We sit in a circle. Faces stare into each other.

 

Fire illumines how the years singe our features, we feed it

our shared hours, time burned in effigy, a fitting ritual

for the longest day with its extra minutes to spare.

 

The house and barn are mysterious in shadow,

a colt’s eyes eerie in the dark corral.

We all hold hands, prance like show horses, weave

 

through the woods and out again with sporadic displays

of nickers and neighs, growing older, dancing, becoming

young, like the waxing and waning of the moon.

 

When heat hovers over glowing coals, we offer up

unwanted hurts that smolder, poems and photos

that kindle regret, all we hope to purge from the past.

 

The letter I wrote you four years ago, but never mailed,

curls its edges inward. The words that pleaded

to be read, until I loved how I hated them, disappear

 

into a hot dot of light. At midnight, we float on our backs

in the pool, weightless as ash under the cool gaze

of stars in a wide country sky, forgiveness

 

a distant heaven that burns. Disintegrated paper

and charred snapshots whisper from seared cinders.

The veils are thin between the worlds.

 

Published in Dirt Sandwich, Press 53

Nine Days at Sea

 

Linda Annas Ferguson

“A poet died today,”

the two-week-old newspaper reports

from beneath lifeless bodies of black bass

as I filet them, stew for the crew,

 

slide the slippery entrails and eyes to one side,

wash away blood, lay them out by the rail

like corpses on a slab, while others flail and lash,

shaking their small bucket of water and salt.

 

The poet’s name was Barbara,

biology maintaining she was mostly water,

connected to all leaving things by the sea,

by rain and rivers, sweat and saliva.

 

The ocean and sky have glared at me so long

I feel bodiless. The deep, a communal soup,

watches all my motions, the surge and ebb of me.

 

Gray backs of dolphin surface

and disappear. Light, slight as a minnow,

dives into the dark of the liquid horizon.

 

Published in Dirt Sandwich, Press 53

You cannot get caught

in the same rain twice.

 

A transparent pearl

will not cling to your lash

when you close your eyes

to drink from the sky.

 

The heavens will not descend

like music. Wet notes

will not shatter when they touch

the strain of your tongue.

 

You will not notice how rain

tastes so strangely of nothing.

Your thirst will not be quenched

if you console every cloud.

 

People will pass all around

but they will see only

how the sun breaks on your back

as you walk away.

 

Published in Dirt Sandwich, Press 53

First Memory of Mama’s Knees

 

Linda Annas Ferguson

I fit into their backs when I was three,

hid behind her skirt, chewed on its hem

when strangers came. She held me

on her lap, head pulled to the pillow

of her breast with the hush of her hand.

 

She kept everything inside, breathing out

only sighs. Once, she let herself laugh.

It started like a struggle, until

her whole body shook in a stifled gasp.

 

It has been eleven years since she left.

I live 300 miles from her grave, dig

through old photos, dying to write

a decent poem, something lasting—

while others read only her carved name.

 

Mornings, I open my eyes, wake

from dreams of funeral roses, dozens

of flowers she never once received in life,

petals falling like prayers come apart.

 

How composed she fell into death,

her silence thriving, a living thing, a legacy

to hide behind, a hem to hang onto

on this journey out of myself.

 

Published in Dirt Sandwich, Press 53

ARTISTS

ABOUT

© 2018. The Athenaeum Press at Coastal Carolina University.

All work copyright of their respective authors.

 

© 2018. The Athenaeum Press at Coastal Carolina University.

All work copyright of their respective authors.

 

© 2018. The Athenaeum Press at Coastal Carolina University.

All work copyright of their respective authors.